Saturday, December 31, 2011

Rashid Hadee - Year In Music 2011 (Download)


This is a listening experience of past productions and features by Chicago’s own Rashid Hadee. YIM2011 is the producer/emcees version of a year-end rap up, except this release highlights a variety of songs he produced and/or guest appeared. Songs by several artists who are blog favorites show up on this release, confidently displaying their skills over Rashid Hadee’s hard hitting but soulful production.

Download it here YIM2011
Or stream it here RashidHadeeBandcampYIM2011

Enjoy!









Lyriciss - The Balance (video)



This joint KNOCKS! "I'm just looking for the balance." So am I Lyriciss, so am I.





Dondre Green - Growing Pains mini Documentary

Dondre Green is a 19 year old emcee from NYC. As opposed to going the normal route, he decided to make a 13 minute mini documentary showcasing his music and symbolizing his journey. The video was shot and conceptualized by his friend Jack Sommer. If you have a few, check it out. The editing, cinematography, and shot angles are quite impressive. You can also check out growing pains here DondreGreenBandcamp







Simeon Vilt of Primeridian - High Off Love ft. Cynette/prod. by DSteele (video)



"If Donny Hathaway and Roberta Flack were hip hop heads, they would probably sound a lot like Simeon and Cynette. Cynette sets the mood with her seductive vocals while Simeon brings it home with his mackadocious flow. High Off Love is the second single from producer dsteele's "The Detonator Vo.1: The 40 Year Old Version. Featured MC, Dolo Stimulus, captures the romance as the video's director." (from youtube)

This is the same guy BTW that produced the Let's Move track that features Common (click on the DSteele label to pull up). DSteele is a DOPE producer! He only has a few more vids on his YouTube channel, but make sure to check those out DSteeleYouTube as well as his Soundcloud DSteeleSoundcloud





Friday, December 30, 2011

Noah Bility - Smoke & Mirrors (audio)


A little something to get yall ready. The second single to be released from his EP Saturday in December that's due to drop tomorrow. Produced by Six. Real smooth with that jazz appeal.  



(Added) Link to Bandcamp, free DL  Noah Bility "Saturday in December"





PHZ-Sicks - Success/Failure ft. Young Scolla (video)



Pronounced like "Physics". The split screen effect on this vid is dope. Thanks for this! Check him out here reverbnation.com/phzsicks and here phz-sicks.bandcamp.com/ .





Conquest aka Jay Renegade - R.A.G.E. (Revenge Against Gods Enemies) (video)

Before you watch the video peep...This will be the first song off his 2012 album tentatively called "RADICAL DEPARTURE". RAGE is not just a song, its a statement. It's not only an example of Conquest's new chapter of music from a sonic perspective (often a '2012 & beyond' style of East Coast hip hop with elements of classic rock to metalcore), but it speaks on the application of ROMANS 12:19 (Do not take revenge, my dear friends, but leave room for God’s wrath, for it is written: “It is mine to avenge; I will repay,” says the Lord) and the misuse of 'revenge' in society. It also talks about his testimony, where he escaped from being sexually assaulted by a pastor who he trusted and how the incident didn't destroy his belief in God & Christianity like it did for others who this pastor molested. Sexual abuse, even in the church, is nothing new, but it's been mostly associated with the Catholic church for decades. Now with the recent Eddie Long accusations it's showing up everywhere. Conquest being a witness to it 1st hand would like to bring awareness to it through this song & video and contribute to putting an end to it. He also addresses the Columbine and VA Tech shootings. Talk about some real life ish. Salute Conquest and we thank you for your courage.







New Kardinal Offishall - The Invention of Truth (prod. by Nottz Raw) (audio)

This joint right chea?? Wooooo Weeeeee!!!







Wednesday, December 28, 2011

Add-2 - Ghetto Dreams Freestyle

I don't normally post freestyles but he murders this track. Dayyyummm!









Tuesday, December 27, 2011

Clear Soul Forces - Bubble Space (audio)


I like these dudes. Young squires bringing that feeling back.







Reks - Autographs (audio)


Produced by Statik Selektah. Some more dopeness!







e.d.g.e - Confirmation (video)


This is my ish! Off the All Flow Everything street album. Dopeness!





Monday, December 26, 2011

Quest Rah - 5th Element (video)







A. Driver - The Vent (video)


A visual for your ass! VA757. That's how we gets down.





Saturday, December 24, 2011

yU - The Earn



A friend of mind recommended I take a listen to this one. I'm a fan of Mellow Music Group and familiar with some of the artists/producers such as Oddisee, Apollo Brown, and Boog Brown, but I didn’t know who yU was exactly. Funny thing is I know of the group Diamond District, but didn't know he was a member. Anywho, when this particular friend of mine makes a suggestion, I follow. So I copped it, took a listen and liked what I heard. After finding out who he actually was, and who he was down with, I was expecting to hear something good anyway, and indeed The Earn is an enjoyable, project. I respect this man’s grind.

Overall, it’s fundamentally hip hop. You get that boom bap, but it’s heavily soulful, as well as funk and jazz infused. The content is relevant being that he discusses his own personal journey, the ups and downs, and how he’s trying to come out on top of it all by earning his place. He even gives us a glimpse of his life before yU, when he was Michael Willingham Jr.    

Stand out cuts for me are:

Bonafied/Overdue  
If U Down
Time Machine/Remember U
Money
I Believe
Highlights of life pt 2

There are a couple of tracks that some would say don’t quite fit the vibe of the album production wise like Delay and Fast Money (which is an instrumental), but I think he’s showing his growth and willingness to step out the box a bit. The topics still fit the theme of the album nonetheless. He concludes the album appropriately with Highlights of Life Pt 2, where he reflects on lessons learned and where his mindset is now which is him being grateful and that he’s going to keep pushing forward with this music thing. That I hope he does because he, along with countless other hiphop artists, are continuously trying to fill that void in hiphop today which is with music that is sympathetic, expressive, reflective, and pertinent. Some may argue that he’s reflecting too much on what was and not on what is, but you have to know where you came from to know where you’re going and he gets that. In addition, we're missing the balance in hiphop, so if someone wants to talk about bitches, money, and swag on their entire album, then yU can talk about his life real life grind. Well done yU and I'll be sure to go back and check out Before Taxes.


Til Next time, Ms Anita








Common - The Dreamer/The Believer



Bringing back the anticipation like DjBee said.

I've been a fan of Common during the course of his whole career starting with Can I Borrow a Dollar. Soul by the Pound was my ish. Resurrection had the classic I Used to Love HER and Pops Rap debuted. I'm not going to go through the whole discography, but the only albums I've never owned at some point in time was Electric Circus, and Universal Mind Control and even they both had a classic song on it like Come Close and Announcement. 

The Dreamer/The Believer...what can I say about it. It's one of the best albums I heard this year for sure. I got chills while listening and as yall know, that doesn't happen often for me. I'm a little late with this post, but I still wanted to put my 2 cents worth in.

My favs:

The Dreamer - Perfect start. Ethereal, airy, feel. Maya Angelou on the track is epic. 
Ghetto Dreams - Goes hard. Nas and Common on the same track, can't beat that.
Blue Sky - Builds in the beginning and and then the bass drum drops in like WHAT. The song is powerful and so is the video.
Sweet - When this dropped, the controversy started. 'A lot of yall nah nah forget nah who I am'. It's funny how the older one gets, the more cocky and confident they get, and the less they give a flying F. It's a beautiful thing believe me. And the ending, when he's just going off, is funny AF. Punchlines for days.
Lovin I Lost - Chill factor for me. NoID is a beast. Matter fact, this 1 artists/1 producer collab was just remarkable, period.

I'll admit, I enjoy the first half of the album more than the second half. It gets a lil sleepy after Raw.  And did Common sing a lil in Windows? You can't talk about Drakes singing ass and then do some semi singing in your own song. LOL. As far as
The Believer ft John Legend. I get it. It sounds like what a song with that title should sound like, but I haven't liked John since the 2nd album. Now every thing he sings sounds like 'Ordinary People' so I think Common should have went to Bilal for the vocals.

The Dreamer/The Believer closes out with Pops Belief, which is like Common taking it back to his roots. Pop is always dropping some jewels ain't he?

So that's my 2 cents. Got to give up it to Common. He's been in this game for like 20 years now, and he's still giving us good music. How many artists you know can act, write a book, and still give us hiphop? (Wait for it...)

Lets Celebrate, shall we





Til Next time Ms Anita






Price ft. Sir Gabe - Classic (video)



Reppin Toronto, OT! I'm diggin it. What yall think?





Friday, December 23, 2011

Logic & Last Resort ft. Klashnekoff & Lowkey - TRUE TALK (video)



This beat crazy! Some more UK flav.





Amir the Legend ft. Lady Infamous- Caged In (video)


VA 757!! Im lovin this. Va stand up! Braaap!! And Big Up Diffama Films.





Thursday, December 22, 2011

Add-2 (Interview)


This guy is on the rise and fast. I had to hit him up about an interview before he blows up. I’m so glad he said yes.

Ms Anita: I have to start by thanking you for your time and for this opportunity. Now, Common just recently named you one of the best new artists. I know you must have been shocked when you heard this. How does it feel to know that a legend like Common recognizes you and your talent?

Add-2: I’m not sure if there are words to describe how I felt. I actually first seen it when I was in the middle of a recording session and my engineer Slot-A was on twitter as usual. As he was flipping through he saw my name and I told him go back and when we both read it we were surprised. I went to the window and yelled outside and then my phone started ringing like crazy. As a kid who grew up on the Southside of Chicago, who went to the same high school as Common, who grew up listening to his music and words can’t describe how much of an honor it is to not only get respect from someone I see as a hero, but also for him to say I’m one of his favorites is an incredible feeling. I’m still waiting for the alarm clock to ring and saying it wasn’t real.

Ms Anita: Matter of fact, you just recently came back from attending the Common album release party in NY. I saw the twit pics of you Common, and Nas chillin in the VIP. I’m so jealous, but what was the experience like for you?

Add-2: It was surreal.  Those are 2 artists I studied growing up, who inspired me to write, and whose music got me through life, so to meet them and get props from them and talk about music was incredible. From Common saying my song "Modern Day Coons" was tough and then Nas asking for me to talk about the concept and who I was talking about is something I will never forget.

Ms. Anita: I can only imagine…haha. I will admit that I’m a rather new fan and did not discover you until One Missed Call. So for people like me who are just discovering you, how long have you been in the game? What projects did you release prior to One Missed Call?

Add-2: I’ve been writing for a very long time but I first started hitting the HipHop internet scene around 2006-07 with my mixtape series “Tale of Two’s City”. I put out four volumes, 2 being presented by Okayplayer and 2Dopeboyz along with a joint mixtape I dropped with Coast 2 Coast and everything has been slowly but surely progressing. I’ve been privileged to have gotten this far without a manager or publicist just all on the strength of hard work and more importantly God’s work.

Ms Anita: So you’ve been managing your own career all this time? That’s crazy! Well, you’ve had the pleasure with working with people like 9th Wonder and the Roots. What was that like?

Add-2: Working with 9th was a dream come true cause I had been listening to him since I was in high school. Most of the beats used for the very first mixtape were instrumentals he produced so to be in his presence as he produced a record for me was surreal. His work ethic is amazing, he’s built a solid brand as well as helping to push the culture forward by example and what some people may not know is 9th is HILARIOUS. Anytime I’m around him and the Jamla family it’s like a family reunion.
When I was able to go to New York and share the stage with The Roots it was completely random. I came to NY for a completely different reason, but it fell through and one of homies who works at Okayplayer said I should come by for their party. Five minutes later I get a text saying ‘Hey get your bars ready they want you to hit the stage with them’. You can imagine how excited I was. The whole time I kept thinking this wasn’t going to happen until Black Thought walked up to me and said “Add-2 you ready?” After that I was ready to go. Then when I got off stage it hit me that I really just rapped with Black Thought and was being backed up by The Roots which has been a dream of mine since I seen Jay-Z’s Unplugged.

Ms. Anita:  So you recently released Modern Day Coons from your up and coming project Save our Souls. Let me just say that a song like that is so needed today with the current state of hiphop. I know this song got much praise and had twitter lit up for a few days, but did you receive any negative feedback for it?

Add-2: Surprisingly enough, not really. I was anticipating more but I really didn’t receive much but I’m not complaining either haha. I think partially because the song is written in a way where it doesn’t come across as hating or condemnation or as a ploy for attention. It’s just real and honest.
 
Ms. Anita: Speaking of Save Our Souls, what are we to expect with this new project and when is it due to be released?

Add-2: I hate to set the bar because I want people to be surprised. With me you never know what I may say or do but I want people to be ready for some great music. God willing if all goes right it will be out before the year is up. I got a few more weeks to tighten it up but that’s what I’m shooting for.

Ms. Anita: Will you be touring soon to promote the project? If so, be sure to stop in the 757.

Add-2: I’m hoping so. We are still in the early stages, but I’m really hoping so. I’ve never been out that way so if I do come out there you gotta be my tour guide and take me to some good places to eat. I want the best of whatever yall make. Especially burgers, I’m a burger guy.

Ms. Anita: No doubt…haha. And my last question for you is….what is your hope for hiphop?

Add-2: My hope is that HipHop continues to grow and diversify. I don’t want it to become 100% anything, I want it to be as diverse as we are as people. I do hope that we change how we portray ourselves in hip hop and not let anyone dictate what hip hop is to us. I would love to see more rappers stepping up to the plate and saying something important because these kids are listening and some don’t have role models. You don’t have to be positive in every song but drop some jewels on the listeners like some of the OG’s did for us. I would love to see more women allowed to be regular women and not sex objects in every video. I just hope that HipHop can be more a positive blueprint for the upcoming generation than it may have been in the past because we are the new Black Panthers, we are the new Civil Rights leaders and we can either lead them to a higher plateau or we lead them nowhere.

Indeed! Preach brother Add-2.  Well, that wraps up this interview. Be on the lookout for that Add-2 Save Our Souls (SOS) and for everything Add-2 on the site, just click on the Add2 label.

Til Next time, Ms Anita







Drama J - #YeahDoe (video)



Produced by ill Cosby (and he is ill with the beats). Salute homies, yall doing it! #VA757





Geleil Whaley - Audio (sampler)



Here's another artist I got to see perform at Krush Groove this past Sunday. He was new to me and I was definitely feeling his music as well, so heres another sampler for yall to check out. Divine Therapy is from his current project that can be found on DatPiff datpiff.com/Geleil-Whaley-Songs-Shit-The-Embryo-mixtape. The other 2 tracks are Exclusive and can only be streamed here. Check him out in reverb too www.reverbnation.com/geleilwhaley








Fame P Mac - Audio (sampler)


Seen this guy perform and he was dope. He has some really good music as well. Check out his Reverb at reverbnation.com/famepmac and below a few tracks.

 

 





Wednesday, December 21, 2011

Rapsody - All Black Everything (video)


One of my favorite tracks off the For Everything album. Beat knocks like a mug!





Murs - 67 Cutlass (video)



Produced by Skibeats. From Love and Rockets Vol I: The Transformation which is only 4.99 on Amazon right now :)






Promise - Against the Odds ft. Jhene Aiko (video)


Reppin Canada! New artists working with Duckdown records.





Elzhi - Memory Lane (video)

Yes!





Tuesday, December 20, 2011

DJBee aka Beezus the Turntablist (Interview)



Ms Anita: Thank you so much for your time and this opportunity. I’m honored that you would take time out of your busy schedule to answer a few questions for me to share on my blogsite.

Bee: It’s nothing. Just from your blog and everything, you share the same genuine hiphop interest that I do. I’m not going to say that’s rare, but you don’t meet a lot of people with the same type of thoughts.

Ms Anita: It is rare. Haha. So I’ve been around long enough to half way remember when you began your journey here in the 757, but if you could just remind us, when did you arrive here in VA to begin your radio career, and what made you decide to make that move, from Philly to VA?

Bee: Umm…school. My parents had moved to Richmond already. I didn’t want to cause I had already been there in the summer and knew that it wasn’t for me. But when I graduated (from high school), I came down to go to VCU. That didn’t work out. Norfolk State didn’t work out either, so probably out of the 2 colleges I did like 3 weeks of college. But I started DJing too round that same time. I was trying to get into clubs, didn’t really know how to do it, but eventually I got into this club called Mirage. Well, then it was known as the Nile, but from there is where it kind of all started. My DJ career started in VA really. I’m a hard worker, and I’m still a hard worker, but there was like 30 people in this club that night and 3 of those people were from a radio station. Somebody heard about me. It was Janet, Mic Benzo, and this guy named MC Spice. They were in there. I didn’t know, but I acted like there were 3,000 people in there. I just went in and just happened to be at the right place at the right time. That was a Thursday night and I was on the radio Friday night. So I was lucky. Definitely lucky.

Ms Anita: Fresh Radio is a rather new venture for you, but it gained a loyal audience rather fast and became a movement (which I’m glad to say I’m part of). What made you decide to start Fresh Radio, and who all was involved in helping you make it happen?


Bee: Well, with the changes in terrestrial radio (that’s FM radio)………(Bee pauses) I remember the day when DJ Law (RIP), maybe 2 months before he passed, said to me, while we playing Dilla, our competition is playing Drake, and Wayne, and we are here to please the masses, not so much who we want to please. It made sense, but I was like the last person who was still playing Dilla at primetime on commercial radio. So he told me it had to go and I was like man this is ridiculous. And with different changes, you know like older urban stations would play RnB, and we would play rap or younger music, there was nothing in between. It was either Rap or RnB. None of that 90s stuff was getting played on commercial radio. So I been talking to people about this idea and DJ Boz  had a station called World Wide Radio, he changed it to The Blaze, and changed WWRadio to a company like Clear Channel. DJ E had an idea to have a station that filled that void of music. You know just classics, so basically we all came up with the concept for Fresh Radio and I took ownership of it since I’m the only one that did work on it. So it’s mine now and basically that’s the concept.  Its hiphop, classic RnB, Soul music, progressive soul, progressive hiphop, all on one station, and a lot of dope mix shows. Growing up, I used to listen to a lot of radio and used to tape off the radio, so I had an idea to play old mix shows and that’s the Mixtape at noon. So I run old Future Flava shows, shows from Marley Marl and Pete Rock, the Mr Magic show, Rap Attack, and anything I can find. I run them back and reminisce. I listen to the station when I’m not doing anything myself. I’m a fan of the station as well. Hahaha.

Ms Anita: And you should be, I mean if you don’t like your own stuff, who will? And I listen to it a lot, especially when I’m at work on Saturday. It gets me through my day. Hahaha. But anyway…next question. It was a shock to me and other avid 103 Jamz morning show listeners when you and Angus Black took over the morning show.  How did this come about?

Bee: Well, there were a lot of changes going on within Clear Channel. Big B was over it and was kinda looking for a way out, I mean he lost Law and MIC Lord so he waited it out to where it was a good position for him and it was conducive for him to go. He teaches now by the way. So when he made that decision, they called me. The one thing he (Big B) said during the his last day was that Law didn’t get the opportunity to say thanks for all the years and the support for the Boodah Brothers family as well as for MIC Lord and he (Big B) had the chance to say bye. The other 2 didn’t. So, from that, we ended up in the morning. That was a Monday. We started the DaBlock morning show on Wednesday. I couldn’t even finish DaBlock show from the night before.

Ms Anita: I remember, yall didn’t even know what yall were gonna call it yet and were throwing it out there.

Bee: Well, DaBlock was my brand. They were trying to change it, but I was like no, that’s me. 


Ms Anita: So now you have that gig, the Legal mixtape at night, Fresh Radio, Fresh Fridays, and your other club gigs, how do you manage it all?

Bee: It’s tough you know, because I’m a single father too. I got 2 boys (16 and 6) and it’s just us 3. So they are more important to me than anything. But, what Peedy Green said, and I use his drive all the time, was DJing is the only thing I’m good at without breaking the law…haha…so that keeps me motivated. I LOVE what I do and it’s a blessing to be able to feed my boys off what I LOVE to do. It’s tiring, it’s hard work, but I wouldn’t change it. So I just juggle stuff. Sometimes stuff doesn’t get done when it suppose to get done, but eventually it gets done. And I’m pretty good with my emails.

Ms Anita: Yeah, you stay on top of them pretty well, I’ll give you that. LOL. Well, you are probably the one of the most well known DJs in this area and even outside of this area. You're probably one of the most respected ones as well. How do you stay humble and how does it feel to have that much love shown for you?

Bee: Its dope, but I don’t do it for that. I live hiphop so I don’t look at it as a job, and I’m not in it for recognition. I just love doing it. I appreciate the support from everybody; I appreciate people who look up to me….but I don’t know. It’s not the type of person I am. I know 90% of the people in this business like DJs, entertainers, rappers, and singers have a theory. Like in high school, they were real corny, and then they get into this business and re-invent themselves into whatever they wanted to be in high school. And once they get that, they start buggin, nah mean. So they start thriving for that attention. I’m kinda in the wrong business cause I keep to myself and I know you have to be out there, this, that, and the third, but I just love what I do. As long as I can continue to do that and feed my family, I’m happy. I don’t need to be wealthy or none of that. I want to be comfortable, but this is good.

Ms Anita: Wow. That’s wonderful. I’m hoping I’ll be able to do this full time my damn self, but we will see.  So my last question and this is my Sydney Brown Sugar question that I’ll end all of my interviews with. What is your hope for hiphop?

Bee: My hope for hiphop, well you know how they say things go in circles? I hate to sound like an old dude, but I hope it goes back to when it was a feeling. When there was anticipation, like we’re anticipating this Common album dropping, with that all the time, and where I don’t have to complain about it anymore. I don’t remember complaining about hiphop back in the day. I remember complaining about certain songs, but not as much as I do today. I’m so passionate about the culture and I see people jumping in it for fame or wealth or whatever their reasons, outside of just a genuine love for the culture. So hopefully it will go back to that. But one good thing is that it’s so overly saturated now and there are people who appreciate the realness of the culture and they are starting to stick together. I would like for that unity to grow. People say hiphop needs balance and I say aight, if it needs balance, then why is it not balanced, you know? There is no balance. You cannot turn on the radio and hear hiphop. You can’t watch it, you can’t see it. You can research it, which is good. If one takes the time out to research it, that’s when an artist will find a true fan. But I would like for it (hiphop) to get exposed at the same exposure level as what’s out now. But it is what it is.

Ms Anita: True. Same reason I started my little blog. I find stuff all the time and people would ask me where and how I found stuff so I just started sharing it and it went somewhere else after that, but it’s out there you just have to find it.

Bee: I don’t mind doing the research. To me, it’s just like diggin for records.

Indeed. Again I want to thank DJBee aka Beezus the Turntablist for his time. This was quite an experience for me, but even more so, it was a great conversation between two hiphop enthusiasts.



Til Next time, Ms Anita.








DiskoDave & Ologist of the BBB (Interview)


First off, I want to thank you guys for your time. This is my first interview so you all are popping my interview cherry...haha.

Ms Anita: So the Better Beat Bureau. Who does it consist of and how did it come about?

Disko Dave: The Better Beat Bureau formed around '98-'99 and originally started out as a Dj/Turntablist crew. Original members include myself, Dj Vex, Chief Rocka Abe Ski and Dj Lodamercy. We were all real heavy into the whole turntablism movement so we joined forces and did a few battles together. At first we didn't have a name so for our first battle we called ourselves the Vinyl Four..haha! We would come up with routines (4-6 turntables and all) or just link up and have extensive cut sessions. I finally came up with "Better Beat Bureau" after hearing an LMNO lyric and it stuck. Around '99 Dj Vex went half on an MPC with a couple of his homies (Red I Productions) and one day he brought a beat tape (an actual tape) to one of our practice sessions. I remember us being blown away because it wasn't on no amateur/new jack shit. He was making joints just like the records we were listening to. Real soulful/jazzy boom bap shit. At that point me and Abe Ski were like, "Man, I'm tired of playing other peoples records. I wanna make my own." which is a natural and typical progression for most dj's. I didn't have the funds to cop any equipment at first because back then, there weren't a lot of computer software production programs. I didn't even have a computer yet..LOL! Back then the dopest equipment to make beats on was the MPC, The ASR 10, SP 1200 and the Korg Triton. Anyway, we pretty much focused on DJing except for Vex. In 2001 I got my tax return money and finally ended up copping an MPC and Abe Ski followed soon after. We kinda transformed into a production crew after a while. Around that same time sometime in '01 my homie that went to VCU came back home and let me listen to this one tape of a couple of his boys freestyling at his crib. One of them really stuck out to me. I thought he was spittin' writtens at first, but my boy was like, "Nah son, that's all off the top!" It was Antagonist Dragonspit and he so happened to be from VA Beach as well. I'd ask all my friends from VCU if they knew him cuz I was tryin' to link and build. One of my other boys finally brought him through the crib and we started building. I didn't know he made beats at first so when he let me hear a few joints it was automatic! We kept in touch while he was in Richmond and in late 2002/early 2003 I invited him along with The Ologist (who also went to VCU and was from the Beach too) into the crew. I've heard about Ologist from the same friend that let me hear that freestyle tape of Tag (Big up to Mau!) and we immediately started building. We had a lot of similar views on production and hip hop in general. So now the BBB had a good blend of both dj's, producer/beatmakers, emcees, and an engineer (Markie B).  We aren't really a super organized crew where each person plays a specific role. Everybody handles their own business and can handle their own on the production tip. Everyone has their own unique style, but still stay true to that Boom Bap style of hip-hop (for the most part). More recent members & extended fam include Deejay Mike Rizzy (member of my other DJ crew Kuya Tribe Productions), emcee/producer Profound from Chicago, emcee/producer Bobby Blunt, DJ/producer Steve Cife and our NOVA connects DMV-Sharp and Dublohskytzo. We're looking to possibly expand the brand a little more and already have a couple people in mind. But for now that's pretty much the story behind the BBB in a nutshell (even tho it was more like an essay. HA!)

Ms Anita(for Ologist): I have to say that I have been a fan of Disko Dave for a hot minute, but I’m just discovering you Ologist. You seem to stay on the low, why is that?

Ologist:  It’s never been my intention to be on the low so to speak, but I’m not a lime-light guy.  I’ve really been trying to perfect my craft before I step out with an official solo project.  I still feel like I have a long way to go to get to that point.  Up to now, I’ve mainly done tracks here and there for emcee’s and singer’s projects, as well as films.  I used to do a lot of beat battles (shouts to Richmatic – old RVA heads know!) and shows (w/Apriotek) in Richmond, VA back in the early/mid 2000’s too – killed it there.  That was my home base for a long time.  Richmond really raised me and gave me the perspective I have now.

Ms Anita: I know both of you all are family men. How do you juggle the family life, with the music?

Disko Dave: I Don't even know. It's not easy, especially with my job. I'm a mailman btw. But every bit of free time I have I try to hit the lab and knock out a few joints if I’m not too tired..LOL! I think it's safe to say that the production rate has gone down for me, but the quality is still there! Don't get it twisted! I got too many hobbies, but it's a good thing I’m not really into video games anymore cuz I’d never get anything done. haha!

Ologist:  It’s definitely not easy.  Having a family and a 9 to 5 is definitely a struggle.  Plus I’m constantly trying to learn, take classes, and improve my position to better support my family, so that’s a strain too.  At the end of the day my son comes first.  But music is what keeps me grounded.  The balancing act usually leads to late nights and little sleep.  Example, its 1:30am now and I’m doing this interview and working on a track!    


Ms Anita: So I want you all to brag on yourselves right now. Who have you all produced for? (both)

Disko Dave: Nothing on a major scale. Mostly local and within the Virginia borders. A lot of people know me from producing tracks for Doujah Raze of Trilogy Records who caught a lot of buzz in the indy hip hop scene. His 2nd single  "Irish Cream" was pressed on wax and distributed by Ill Boogie Records which was a huge deal for me because I was a big supporter of Ill Boogie. They used to play it on the "All Rap" radio station we used to have here all the time. S/O to Dj Strez and Dj Law (R.I.P.)! Anyway, I did about 5 beats including the intro for his self titled debut album that finally released in 2005. All the beats except the intro were made in 2001 and recorded between then and '02 tho. Through him and his manager I linked with Thad Reid and we made "Top Of The Heights" which is one of my favorite collabs. It was one of my first beats ever made and paid homage to the Golden Era with a familiar sample and chopped up horns. We got a few more joints too. From The 757, of course you got Antagonist & Bobby Blunt. Also Yohon, Godchild, Jhagged and Spunk 1. We put out a 12" called indy 500. Me & Dj Vex both had the A & B-side. Got a couple joints on a local compilation called "Independents Day" with Dred Science, Omega Redd & Kevin Lynn aka Future Brother (they're twins), P The Emcee, Keynote Speaker, Rafeese's "Redemption", my homie Profound from Chicago, and a bunch of other cats I’m sure I forgot to mention.
Ologist:  I’ve done tracks with Thad Reid, Soulstice, K-Hill, Antagonist, and Sketch to name a few – mostly VA, MD, DC, NC heads.  I originally found out about Thad Reid from the “Top of the Heights” track him and Disko Dave did.  I used to chill rooftop in Richmond (w/ Mau) back in ’03 and rock that on repeat.  When I moved up to NOVA I linked up with him and we’ve been tight ever since.  We did “They Don’t Like Me” in ’08, which hit #2 on college radio charts.  He’s also the one that linked me with Soulstice and Sketch.  Aside from album and project work I’ve also done a bit of film work, mostly at the indie documentary level – “Dare Not Walk Alone” a civil rights film, “Walking on Water”, “Heart of a Soul Surfer” the story of Bethany Hamilton – which turned into a major Hollywood film earlier this year (the documentary made the DVD!), a handful of other films, and a PacSun commercial.  HAHA!  Doing the film work has allowed me to travel a bit and meet some good people.


Ms Anita: I wonder how those who make beats, learned how to do so. Who taught yall how to do that or did you self teach? (both)

Disko Dave: Well when I started djing in '94, my mentor Dj Wikid aka Superfearo got into production around '95 so I’ve always been around it, but never really took it seriously. We'd always collab on beats, but I never knew how to fully work the machines on my own. He always had new production equipment when the next "hot thing" came out. Still, I focused all my energy on DJing until the time I got my own equipment in 2001. I didn't know what the hell I was doing at first and seriously thought I wasted all this money on an MP. Reading the manual was like reading in a foreign language so Dj Vex finally came through and showed me just the bare basics of sampling and recording. The rest I learned from trial and error. I did a lot of experimenting to get the sound I wanted. We didn't have Youtube back then so you had to learn on your own.. at least I did anyway.
Ologist:  It was all self teaching and experimentation on the MPC.  I didn’t know nada about timing, arrangement, notes, scales, octaves, etc.  I was a newjack that just loved music.  I used to go thru and chill with my man DJ Direc in Richmond on the regular.  He had an MPC, so that’s where I learned the basics.  I used to hole up in his crib with headphones for hours and make little beats.  He lived with the keyboardist (Rudeboi) from Infectious Organisms, so it was a musical spot, which definitely lead to the desire to start producing.  In 2001 I took a few month trip to Guatemala, which is where I got the nickname Ologist.  I got hyped on wanting to start producing while I was there.  When I got back I copped an MPC with my student financial aid check.  Thanks VCU and the US Government!

Ms Anita: Anything new coming up on the horizon, new projects, collabs, what?

Disko Dave/Ologist: We have a really big project in the works for 2012 with 2dopeboyz!  We’re still ironing out the fine details, but as of now you can expect a collabo beginning in January.  BBB x 2DBZ!  Look out for future beat tapes, Antagonist's "The Ugly Truth" LP, BBB production on the new Thad Reid ‘Tyme Flys’ EP sponsored by DJBooth.net and KevinNottingham.com on January 17th, and a new website.  Dave has some joints on Profound's upcoming project alongside w/ Chicago legend Dug Infinite, an EP with Keynote Speaker, and an EP with P The Emcee, Omega Redd & Kevin Lynn (R&B singer).  All around it’s going to be a more productive year from the BBB.

Ms Anita: If you all were to press play on your iPod, music player, or what have you, what would start playing?

Disko Dave: Well right now I’m in my R&B mood so it would probably be SWV's "Co-sign" at first. I'm amped they're back and didn't deviate from their signature sound. LOL! other than hip-hop, I’m an r&b and dancehall junkie. Anyway, you'd hear a lot of the classics. You know, the usual suspects from the 90's. Dj Mike Rizzy podcasts (do yourselves a favor and peep www.mikerizzy.com for a good blend of mixes for everyone) Torae's "For The Record" still, Action Bronson, Common's new album that drops tomorrow!, Anything Dilla, Freddie Joachim for those lazy Sunday afternoons, various Breakbeats, my own damn beats, beats and songs from the crew, anything from the Bookshelf Riddim...i'm not even gonna go into reggae right now cuz I can go on for days..lol. But mostly classics. I’m old and out of the loop for what's hot now. That’s why we got blogs like yours!

Ms Anita: Thanks Dave. And we have something in common because I’m a reggae lover is well. Brrrrap! And what about you Ologist?

Ologist:  Currently playing, Electric Wire Hustle “Waters”.  (Potholes in My Blog initially turned me on to them). There an electro-soul-r&b-boom bap band out of New Zealand.).  Also in the deck is the new Freddie Joachim ‘Patiently’ EP, Elzhi ‘Elmatic’, Phonte ‘Charity Starts At Home’, Arthur Verocai ‘Self Titled’ album – hands down one of my favorite albums, Donny Hathaway ‘These Songs For You, Live!’ – best vocalist in my opinion – the raw emotion in his live sets in unparalleled.  I never leave home without this (his cover of Grady Tate’s “Sack Full of Dreams” written by Gary McFarland is ILL!  puts me at ease no matter what sort of day I’ve had),  Disko Dave beats, Antagonist ‘Back on the Map’ LP, the rough draft of Thad Reid’s new project ‘Tyme Flys’, Bush Babees ‘Gravity’, DJ Spinna ‘Compositions 1-3’, Gil-Scott-Heron ‘Winter in America’, Roy Ayers ‘A Tear to a Smile’, Torae ‘For the Record’, and Reks ‘REKS’.  A wide mix.

Ms Anita: Very eclectic I see, like myself. But I will definitely have to check out Electric Wire Hustle, that sounds interesting.
And my last question, which is my Sydney, brown-sugar-when-did-you-fall-in-love- with-hip-hop question is………….drum roll………. What is your hope for hiphop?

Disko Dave: Maybe it's just me being old, but I’d like it to go back to when it was more pure. When it was fun, but not soft at the same time. It's a whole culture that these kids aren't even educated on because of what they hear on the radio or see on TV. Less swag and more skill! At least the ones that flossed back in the day had the skills to back it up. The general public needs to stop accepting subpar talent period! But there's always hope. Every once in a while you'll hear a joint and be like, "okay, it's coming back!" Hip Hop's not dead, never was. Only on the radio! We just gotta focus on getting it to the masses!

Ologist:  My hope….that talented emcees and producers continue to find the shine they deserve, and that these youngins learn about hip-hop as a culture.  Nowadays these kids don’t give a damn about nothing but trying to swag it out.  Eff outta here with that!

Ha! That's whats up. Big up to you alls 2dopeboyz feature, DiskoDave vs Ologist youtube video btw. I want to thank yall again for your time and for being my first. This was awesome!


Make sure to hit them up on Twitter: @ologisbbb @DiskoDavebbb @DragonspitJones @vexinpa AND make sure to check them out on YouTube so you can see first hand how it goes down. youtube.com/user/DiskoDaveBBB

Til Next time, Ms Anita












Thursday, December 15, 2011

NEW Stalley - Gentleman's Quarterly (video)

This is beautiful.





Wednesday, December 14, 2011

YouTube presents Common Live!!!

This is 30 mins long but worth watching if you have some time. Common rocks some joints from the new album. Dec 20th, yall ready?






Tuesday, December 13, 2011

Intalek x Icarus - Psycho ft NickelusF (audio)


Exclusive! First single off the Intalek x Icarus album 'Synesthesia' due to drop December 27th, Psycho, check it out. VA757 and beyond!







50 Cent - I Just Wanna ft. Tony Yayo (video)

PARENTAL DISCRETION IS ADVISED!!!!!
Those who know me know that 50 is my guilty pleasure...He dropped this last night himself and almost 9k views already. This joint bang tho. (don't judge me)





Common - Raw (audio)

I love that Common has been leaking stuff off the new album...heres another one and its dope too!

Common - "Raw" by ThinkCommon





Static Selektah - Never a Dull Moment ft Action Bronson, Termanology, and Bun B (video)


Static has been dropping videos left and right from the Population Control album. Here is the latest one that dropped today.





Monday, December 12, 2011

The Doppelgangaz - At Night (video)


Like this joint. The video is type weird tho. They are in the Big Apple, giving away bad apples (with razors in them). I promise you this does not happen at night in NYC....or does it? Wuuuhhhaaahaaaa *evil laugh*





Stalley - Go On (video)


Dope song and video. Over 41k views already so I'm sure most of you have seen it, but I had to let it grace my blog.





Cyclonious - Dont Sleep (video)


In general conversation I have said that I think people overseas like in the UK, Germany, or Japan get this HipHop thing more than we do in the states. For some reason, they have been able to hold on to the fundamentals of the culture even though HipHop originated in America. This is Cyclonious reppin for the UK. Check him out.





Saturday, December 10, 2011

Handles - from Done Thinking (audio)


Not one, but two recently released tracks from Handle's up and coming project Done Thinking. If Fresh and Speakers on Blast are a sample of whats to come, then this street album is going to be a banger for sure!

Handles-FRESH (prod by Best Kept Secret) by msanita100

Handles - Speakers On Blast (mixtape remix) by msanita100





Friday, December 9, 2011

Add-2 - Modern Day Coon (audio)


Someone had to to say it. Thank you Add-2 for this! Salute! From the new LP Save our Souls coming soon.







Dopeage - TVMeetMeth ft A.Driver (audio)


First Single from the Supreme Supreme Project. TVMeetMeth ft. A.Driver. "I jiu jitsu instumentals like Waaaaah Taaaaah". Love that line.







Chris Morris - Get Out (video)


Nice, real Nice!





Wednesday, December 7, 2011

Kooley High - Big Headed (video)


From the just released album David Thompson, here's one of my favorite joints, Big Headed. Featuring DJ Prince. "I got a small body, but I'm big headed." (I highly recommend yall cop this one).





Tuesday, December 6, 2011

The Roots - Undun


I'll admit that I've been suffering from writers block lately. Finding words to properly describe a project can be hard, especially when something is good, but that's all you can really say about it. 

But then I started listening to Undun, the words just started flowing. I was moved and felt emotion while listening and that's what takes a project from good to GREAT. 

I am a fan of The Roots, I mean who isn't. But I'll admit I haven't copped anything from them since Things Fall Apart. Do You Want More, and Illadelph Halflife, are albums that are also classic and I remember replacing those Cds a few times whenever they got damaged or lost (thank goodness for modern day technology and MP3 downloads). 

Do You Want More actually holds so much sentimental value for me. When that was out, I was in college, and I spent that summer traveling back and forth from NY to Philly via Amtrack, visiting my boyfriend at the time (who is the father of my children and ex husband today). But I listened to that album so much that the music from it is still etched in my brain. My first born probably spent her first year of life hearing Illadelph Halflife amongst other classic joints of the mid to late 90s. Things Fall Apart came around 1999 so my first and second born got a good dose of that too. By the time my son was born in 2000, the music scene started to change and my attention went elsewhere. 

But things always seem to come around full circle and here I am with Undun. The Roots have accomplished tons and have been to many places since Do you Want More. Their music has grown and evolved, but what you will always get with The Roots is musicality, lyrics, content, and soul. Enough Said!

So my absolute favs are:

Sleep - Combines all those traits into one song.
Make My - The instrumental part at the end is when I started feeling emotion.
One Time - Fell in love with this one when they first released it. 
Stomp - The guitar riff makes this song the epitome of soul rock. 
Tip the Scale - Starts with that literal boom bap of the drum (you can see Questlove hitting those drums with his eyes rolling back in his head). The content is relatable for those who are trying to tip the scale just a little in their favor to survive (the 99%).

The last 4 songs can be put into the classical music genre. Nothing but live instruments going at it. Finality, which is the last track, starts with a beautiful violin solo backed by other string instruments, but it ends with one bang of a piano chord and fades out slowly. Makes me think of the moment before someone dies unexpectedly in a movie.  

So shout out to the unofficial member of The Roots Crew Dice Raw for blessing the album. And my man Phontigallo for showing up on One Time. Black Thought is and always will be on my on my top 10 list of best lyricist of all times. The Roots have always gave us something more than just hip hop. Undun proves why they are such an international phenomenon and have been able to stand the test of time. Much Love and Respect. 

Til next time, Ms Anita












Ron-E - Rated Triple R (video)


Thank you Pure Brilliance. I found you all, this song, and video...DOPE! (I don't know who this Ron-E character is, but going forward, I will be keeping my eyes and ears opened for this guy). If you want to do the same, follow him on twitter @digggman.





Monday, December 5, 2011

Nowhere To Be Found - The Other Guys (audio)


 Reppin the DMV area. The Other Guys consist of producer Mighty Joe and emcee Gnormen 'Insanate' Baites. Nice production on this one btw. And if you like that, check them out on bandcamp otherguysmusic.bandcamp.com.







Saturday, December 3, 2011

Bullet Brak and Corey Black - Stick up Kids (video)


Dope! That is all.





Dout Gotcha - Im So Virginia (video)



MY HOME #757, VA STAND DF UP!!





Charged Up Ent (CUE) Cypher


Some folk may think cyphers are getting overdone, but I think they are a good way to display the talent from one's team, label, or group. So here is a fresh one starring Yung Yankee, Noah-O, Yung Fred, Jus B Chill, Oh!, and Black Lyric....Charged up Ent, HiphopVA, Lets go!





Friday, December 2, 2011

Boog Brown - UPS (video)


 Ok, I had to throw this up. Always reppin for the ladies of hiphop. Produced by Apollo Brown.